AUDITION INFORMATION
We will offer combined audition dates for both of our 2026-2027 season plays on
STEEL MAGNOLIAS
Written by Robert Harling
Directed by Emily Rogge Tzucker
Except where historical significance, age, gender or racial specificity are required by the narrative, all actors will be considered for open roles regardless of gender identity, age, race or ability. While casting decisions are subjective and driven by the vision of the director and the creative team, Civic Theatre is committed to a diverse and inclusive cast, crew and staff whenever possible.
Audition Dates
Auditions : November 8th and 9th at 7:00 PM
Please fill out the audition form completely including conflicts (required), headshot & resumé (not required). You will have the opportunity to select your audition date. 24 hours before your selected date you will be provided with a specific time. Video auditions will be accepted. In general, we cannot arrange for individual times outside of the scheduled auditions. Should we deem it necessary, we MAY schedule alternate dates at a later time.
Callbacks TBD
Details
Director: Emily Rogge Tzucker
Production Dates
Rehearsals – Read through on January 25, 2027
Rehearsals begin in earnest on January 31st.
Sundays: 1:00-5:00 PM
Monday - Thursday: 7:00 - 9:30 PM
Performances – March 12 - 27, 2027
All actors are not called for all rehearsals. Actual schedule will be determined once the show is cast.
Performances are Thursdays,Fridays and Saturdays at 7:00 PM, Saturdays and Sundays at 2:00 PM.
What To Prepare:
Please plan to read sides provided for the character you’re interested in playing.
*****Please take the time to memorize as much as possible. ******
Sides will be sent to you via link in a confirmation email after you fill out your audition form.
SHOW SYNOPSIS
All the ladies who are “anybody” in Chinquapin, Louisiana come to Truvy’s beauty salon to have their hair done. Helped by her eager new assistant, Annelle (who is not sure whether or not she is still married), the outspoken, wise-cracking Truvy dispenses shampoo and free advice to the town’s rich curmudgeon, Ouiser, an eccentric millionaire, Miss Clairee, who has a raging sweet tooth; and the local social leader, M’Lynn, whose daughter, Shelby (the prettiest girl in town), is about to marry a “good ole boy.”
Filled with hilarious repartee and several acerbic verbal collisions, the comedy moves toward tragedy when, in the second act, the spunky Shelby risks her life to go through with a dangerous pregnancy. Confronted with the harshness of mortality, the others draw together to find strength – and love – in the wake of tragedy.
STEEL MAGNOLIAS
CHARACTER DESCRIPTIONS
Character Ages are a jumping off point and not firm. They do not need to match the actor’s personal age.
Truvy Jones
(late 30s-50s) is the vibrant and warm-hearted owner of the beauty salon where the entire play takes place. She is talkative, friendly, and always eager to make others feel welcome. Truvy prides herself on maintaining her appearance and creating a comfortable space for the women in her community. Her upbeat personality and steady optimism make her the emotional glue of the group.
Annelle Dupuy-Desoto
(20s) is Truvy’s new assistant, a young woman who starts off shy, nervous, and uncertain about her future. As the play progresses, Annelle transforms significantly—she gains confidence, becomes deeply religious, and eventually finds a sense of identity and belonging among the other women. Her innocence and evolving beliefs often provide both humor and insight.
Clairee Belcher
(late 40s-60s) is the stylish and witty widow of the former mayor. She is wealthy, sophisticated, and enjoys being part of the salon’s regular social circle. Clairee is known for her dry sense of humor and playful sarcasm, especially when sparring with her longtime friend Ouiser. Beneath her elegance and sass lies a generous and loyal friend who cares deeply for the women around her.
Shelby Eatenton-Latcherie
(20s) is a young, spirited woman whose vibrant personality and inner strength leave a lasting impact on everyone around her. Despite living with type 1 diabetes, she is determined to live life on her own terms, including getting married and starting a family. Shelby is both delicate and fiercely independent, embodying the play’s central theme of beauty and strength coexisting.
M’Lynn Eatenton
(40s-50s) is Shelby’s mother, a sensible and deeply loving woman who works as a social worker and guidance counselor. She is practical and protective, often worrying about Shelby’s health and well-being. M’Lynn serves as the emotional backbone of the play, especially when her pain, resilience, and unconditional love for her daughter are expressed in a moving monologue.
Ouiser Boudreaux
(late 40s-60s) is the group’s resident curmudgeon—gruff, blunt, and delightfully eccentric. She is wealthy and independent but seems perpetually irritated with the world. Despite her cantankerous exterior, Ouiser reveals a softer, more vulnerable side, showing that her tough demeanor hides a heart that truly cares. Her outrageous comments and dry wit provide much of the play’s comic relief.







